Elena is a creative designer and writer passionate about visual storytelling and sustainable design.
For many people who has spent a long time renting, staring at the same landlord-approved magnolia walls and dreaming of adding some actual personality to their home, Pantone's latest Colour of the Year might be perceived as a disappointing choice.
This year, the influential color company has designated white as its annual hue.
In detail, the shade is called Cloud Dancer – a white touted as "elevated" and "airy" which "functions as a symbol of tranquility in a society re-learning the importance of introspection".
It signifies the initial instance a pure white has been picked as the Colour of the Year, and it has sparked considerable debate.
According to Pantone, Cloud Dancer "is not just a colour, it's a mindset" and reflects a shared urge to decelerate, recalibrate and achieve serenity after years of aesthetic chaos.
But some detractors have dubbed the decision as "out of touch", arguing that elevating sparse and pristine white spaces can seem distant from the more compact, messier homes everyday individuals call home.
Some observers propose that framing white as aspirational risks racial undertones, creating unease during current societal dialogues about race and representation.
Designer One design critic says the backlash goes beyond surface appeal, stating that white holds cultural undertones and is rarely a neutral choice.
"The color white sends a message," he says, shaped by a ten-year period of minimalist celebrity interiors – most notably Kim Kardashian's austere home – that came to represent "affluence, control and removal from chaos".
He clarifies that white is "not intended to inspire but being careful not to offend", with Cloud Dancer personifying "restraint, moral minimalism and the notion that impartiality equals goodness".
The designer points to the global health crisis as a turning point in how people relate to their homes.
"Almost instantly they transformed into our offices, refuges and sources of stability," he says, adding that against this backdrop, directing the Colour of the Year towards "more aesthetic barrenness seems rather tone-deaf".
Rather than providing calm, he believes white now threatens to intensifying "a feeling of desolation", particularly when combined with harsh, sterile lighting.
An interior designer, a Surrey based design expert, concurs and says Cloud Dancer "is not perceived as a colour" and is "firmly in the bin for me".
Although it may work in extremely sparse or structural spaces, she says pure white shades seldom foster calm in everyday living spaces.
"What looks serene in a professional photo can readily feel sterile at home," she explains.
"White can feel stark and demanding and you don't want your home to emit a medical atmosphere."
She continues that "homes should elicit happiness and be warm and welcoming, and this hue seems quite distant from that."
Beaumont hopes that homeowners will disregard the Pantone Colour of the Year in favour of "unabashed joyful interior design", using vibrant hues to express individuality.
The vice president of the Pantone Colour Institute stated that people "bring different feelings" to the significance of the colour, but it was chosen as it "works seamlessly with everything around it, offering a refined neutrality that seems deliberate and adaptable".
Beginning in 2000, Pantone's Colour of the Year has evolved into a powerful industry signal.
Past choices have included the hopefulness of a vibrant pink-orange, the serene assurance of a deep blue, the vibrancy of Viva Magenta, and more recently more gentle, emotionally driven tones like Peach Fuzz.
These hues extend beyond trend forecasts - they show up in clothing lines, beauty launches, home decor, packaging and even consumer electronics, shaping how products are marketed and how consumers envision the coming year.
A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may appear basic, "this particular shade seems gentle and refined rather than stark".
In contrast to those who say the colour is dull, the expert sees it as "flexible" and says it's best used in "bedrooms and communal spaces where you want a peaceful, restful ambiance".
"Even if you don't want to repaint, you can introduce the colour into a room with pillows, throws and curtains."
Interior designer James Mellan-Matulewicz says although he was surprised that Pantone's selection this year was "fundamentally the absence of colour", it is a bit like vanilla ice cream, in that "everyone likes it but it's nobody's favourite".
He can see its benefits, explaining that white can work particularly well as a backdrop for design features like wall molding and curved entries which is a "growing trend in modern homes".
In apparel, white has long been a basic rather than a bold declaration and as a Colour of the Year it poses a unique test to designers more familiar with vibrant colors.
Luxury stylist Oriona Robb says elevating white seems "not focused on newness and more about intention", indicating a shift towards refinement after years of fad saturation.
"White forces designers and wearers alike to concentrate on form, proportion and craftsmanship, there's really no room for error," she explains.
But she adds that it also carries presumptions around body confidence, lifestyle and privilege, saying: "If white is viewed as something only a narrow group of people can wear well, it becomes divisive."
She says the industry is already cognizant of the uncomfortable undertones tied to lauding white as an aspirational standard, especially during continuing discussions about inclusion and accessibility, and the real test will be whether "brands address that nuance authentically, or simply aestheticise the colour".
Stylist Katie Malik admits the choice initially surprised her, considering Pantone's track record of vibrant hues, but says it reflects a genuine shift and aligns with a broader sentiment of "quiet luxury
Elena is a creative designer and writer passionate about visual storytelling and sustainable design.